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Monday, 7 December 2015

Kathy Bates Talks AMERICAN HORROR STORY: COVEN, Working with other Talented Women, Her Cruel Character, and More

From co-creators Ryan Murphy and Brad Falchuk, the FX series American Horror Story uses a unique and compelling approach to television, with a different setting, different characters and a rotating cast of actors for each season.  For Season 3, American Horror Story: Coven tells the secret history of witches and witchcraft in America, with a cast of talented actresses that includes Jessica Lange, Kathy Bates, Angela Bassett, Patti LuPone, Sarah Paulson, Frances Conroy, Lily Rabe, Taissa Farmiga, Emma Roberts, Gabourey Sidibe and now even Stevie Nicks.

During this exclusive phone interview with Collider, highly acclaimed actress Kathy Bates (who plays Madame Delphine LaLaurie, a high society Creole socialite from the 1830s that had a taste for the gruesome torture of her slaves) talked about how she came to be a part of American Horror Story, how happy she is with the results, developing this version of the real-life woman, how the costumes helped her find her performance, why she was such a cruel person, how much fun it’s been to work with such talented women, and that she’d love to return for another season.  Check out what she had to say after the jump.

american-horror-story-kathy-batesHow did you get involved with this season of American Horror Story?  Did you seek this out because of the work you saw Jessica Lange doing?

KATHY BATES:  Yeah.  I really enjoyed her work on Season 1, and I enjoyed the writing.  I just thought, “I’d really like to be involved with this show, in some way.”  I just didn’t know how.  And then, we just got together for a drink and I mentioned it to her.  And then, she mentioned it to Ryan [Murphy] and he had a great idea.  Then, I met with him and he pitched it to me last January.  I was so excited about the character and about what he was doing with the show that I said yes, immediately.   

After the experience that you had with Harry’s Law, were you hesitant at all about doing TV again, or was this experience just clearly so different from that one that there was no issue?

BATES:  I think the latter.  There wasn’t any issue.  The bottom line is that I’m an actor, so when somebody pitches me a great part, it’s a no-brainer.  You never know what it’s gonna be like, in terms of the actual experience.  You can be really excited about a part that can turn out shitty, you can have a bad time, there’s a bad egg or two or three, in the bunch, or the producers are weird, or something like that.  But happily, this has turned out to be a really good experience.  It’s a relief, after having gone through what I did with the network.  Ryan is an exciting person to work for.  He’s a genius.  And Alfonso Gomez-Rejon, who does a lot of our directing, is an abso-fucking-lutely brilliant guy.  He’s studied with some of the greats, and worked with some of the greats, on his way up.  He’s a very serious artist.  His work on Episodes 301 and 303 just verifies that.  So, it’s been loads of fun, but hard work.  Each episode is really, really ambitious, but it’s been great.  I’m so happy with the results, and I’m so happy that everyone has responded the way they have.  On Wednesday nights, I tune in to the Twitter feeds to see what everybody is saying.  It’s fun to do that.  

american-horror-story-kathy-bates-3This season alone, there’s been gang rape, mass murder, incest and bestiality.  Did you know exactly what you would be getting yourself into?

BATES:  No!  After having seen the first two seasons, I knew they were really pushing the limits.  I’m just hoping they don’t ask me to do something really horrific.  Although, I must say, we did shoot something pretty horrific.  It’s been interesting, to say the least.  I also think the show has a lot to say about women’s roles and women in society.  It throws that patriarchal view of women in your face.  That idea of woman as witch, and woman as mysterious and powerful, is one of the underlying messages of the show.  That’s what I like about what Ryan does.  There’s a reason why it’s called “AmericanHorror Story.  I like that, a lot.  

When you’re playing a character that’s rooted in history, how much research did you decide to do into who she really was, and how much did you want to stay away from that and just develop her as a character that you’re playing?

BATES:  Well, I did a lot of research, and then learned quickly that they were doing their own spin on this character.  For example, I had a big discussion with Ryan because she was French, so she would have been educated in Paris and her family came from there.  Her patriarch, way back when, came from Ireland, but then he served in the Army for Louis XIV.  And then, he had children who were all French.  Her grandfathers came, who were in the French Navy.  She would have been considered Creole.  Any first-born children of settlers like that would be called Creole.  We think of the Creole as a whole different ethnic group, but classically, they would have been Creole.  She would have spoken Parisian French.  So, I really fought with Ryan.  I wanted her to be authentically French, but he just said, “No!  No French!”  So, I said, “Okay, I’ll do a Delta accent with a little bit of New Orleans thrown in,” and he was happy with that.  And it was probably right.  There’s so much going on, it would have been crazy to have all these different accents flying everywhere.  

american-horror-story-kathy-bates-1How much have these incredible costumes affected your performance and changed your physicality?

BATES:  A lot.  When you first saw her in the maid outfit, I wanted her to be gripping the handlebar of that tray when she comes out ‘cause she’s really pissed off, but I don’t know if that read, at all.  She was trying to make the best of it, but she was still a racist, in her heart.  She didn’t want to serve a black woman because she considered that anathema.  I wanted to do even more with that, but it’s not the Madame LaLaurie show.  You can’t get everything in there, so you do what you can.  

This is a woman who can be particularly vile and nasty, especially in the way she speaks to people that she sees as beneath her.  As an actor, do you find that type of stuff fun and just part of the character, or is it difficult to do that and be so convincing at it?

BATES:  Listen, I think we’ve all got that stuff inside of us.  There are certain people, even within our own families, that we look down on and feel better than and superior to, so it’s not hard to imagine that.  We have strong likes and dislikes about everything, so it’s easy to plug those things in.  The main thing that daunted me, at the beginning, was, “What makes this woman so evil?”  I tried all kinds of ways to understand.  I know part of it is that her husband was a philanderer.  In those days, he could have gone and married the woman of color, and then had recognized children by her, who would have then been part of the estate and would have inherited everything.  She also had a relative that was shot by a couple of slaves and killed.  Also, with the turn of the century, from the 1790s into 1807, there was a slave uprising in Haiti, which wasn’t very far.  That was the uprising that created the country of Haiti.  So, the white citizens of New Orleans numbered about a thousand, and there were three thousand slaves.  They were outnumbered, and they slept with guns and knives under their pillow because they were very afraid.  So, they probably came down pretty hard on their own slaves, in order to instill fear in them.  That was part of it with her, to my understanding.  And then, I also talked to some detectives, from all over Europe, at a film festival that I got to go to in the spring.  I said, “So, what is it?  Why does somebody do these horrible things?”  And they said, “Some people are just that way.”  At some point, I think she probably got off on the power.  For our show, we’re doing crazy shit anyway, so you don’t have to make sense of it. 

american-horror-story-kathy-bates-4What was it like to have Gabourey Sidibe to play so many of your scenes off of, this season?

BATES:  She was one of the actors that I was really hoping I got a chance to work with.  I think she’s beautiful, and I just love her presence.  She’s so natural.  She’s so real.  There isn’t a dishonest bone in her body.  She’s always just real.  And she’s so much fun to play with.  Happily, I got to do a lot of fun things with her.  

How much fun is it to share screen time with actresses like Jessica Lange and Angela Bassett?

BATES:  For me, it means you’ve gotta bring it, especially with those two.  They’re both theater-trained.  You’ve just gotta bring you’re A-game.  Everybody wants to step up to the plate and hit a home run. 

Now that you’ve gotten to experience American Horror Story, would you be willing to return for future seasons, if Ryan Murphy came up with another equally as delicious story and character?

BATES:  Absolutely!  I would look forward to it.  I’m enjoying it tremendously.  I have faith that Ryan will come up with something equally as wonderful for next season.  I know that he’s said this is his favorite season yet, for this show.  I would love to come back.  We’ll see what happens.

Kathy Bates on American Horror Story, Playing a Brutal Racist, and Becoming an Awesome GIF


It’s a good thing Kathy Bates is a real horror fan. As American Horror Story: Coven's Madame Delphine LaLaurie, an 1800s-era serial killer and torturer of slaves made immortal through voodoo magic, she has been subject to the scares of her life. She’s been sprung from her coffin by a power-hungry witch, terrorized by the minotaur she helped create, and made aware that the sitting president is black (“Liiiiiies.”) At the end of tonight’s episode, "Fearful Pranks Ensue," she’s greeted on Halloween night by her dead daughter turned zombie and a few dozen of her undead friends. Leave it to Oscar winner Kathy Bates who, in the middle of all this deserved comeuppance, manages to make Delphine someone for whom you feel a twinge of sympathy as she begins to realize the gravity of her past behavior. Vulture spoke to Bates right before she was headed to the laundromat — “My manager was horrified I was doing my laundry in a laundromat. I was like, ‘Susan, I enjoy it! It’s a lot less expensive than the hotel. C’mon! What’s the big deal?” — about Delphine’s blossoming relationship with Queenie and how much she’s enjoying being an Internet meme.

I don’t know how you’ve done it, but you’ve really managed to humanize Madame LaLaurie after an awful, awful introduction.
 
I try to do that. I don’t know if she deserves it [laughs]. A friend of mine who’s a deputy sheriff here in Jefferson Parish was telling me that not long ago they dug up 60 or 70 new bodies at her house. Having done all this research on the real woman, my suspicion is she was a woman holding on to her third husband. He was younger than she was, a dentist who wanted to become an osteopath, so I’m imagining that some of those poor creatures were operated on. It’s just demented.

She’s introduced at her most monstrous, but she’s evolving quickly. She even tells Queenie (Gabourey Sidibe) that she feels indebted to her.
 
She’s really struggling still with everything in her past, the guilt that she feels about how she treated her family, the horrible things she did, which have all been exposed, her own innate racism. It’s just so much ingrained stuff. She comes from a time when you owned another person like you would own livestock. I just went to see 12 Years a Slave and that first scene with Paul Giamatti selling people was just horrifying. That was Delphine’s world, so I think she’s having a real hard time adjusting to modern day.

Having just seen 12 Years, does it make it more difficult to film Delphine’s crimes? 

It does. When I first went in the [AHS] trailer and I saw some of those actors [who played the disfigured and mutilated slaves] in makeup it was very upsetting. I just hope that people don’t feel because we’re in the horror genre, and we’re camp, that we don’t have the right to talk about these issues. I’ve read some people feel like we’re trivializing that struggle, and I hope they don’t feel that way moving forward. Just look at tonight’s episode. The show takes these issues seriously.

Let’s talk about the zombies. I was not expecting zombies!

I know, it’s pretty cool. Is this the one that starts back in the sixties?

Yes.

Oh God. Oh God. You know, I never get a copy til after it’s aired, and I don’t get FX at my hotel. Can you believe it? All I can do is watch my Twitter feed when it airs.

The American Horror Story zombies seem to be more aggressive than the ones on The Walking Dead. They have weapons.
 
Oh, really? See, I didn’t see any of them except for my zombie daughter. I haven’t seen the zombie apocalypse yet, but I’m looking forward to it.

Denis O’Hare’s in a lady’s nightgown and bonnet throwing tea parties for his dolls. Do you have anything that nuts coming up?
 
Oh, yeah, I’m afraid so. I’ll say it’s a pivotal moment between me and Queenie. Oh, yes. Oh, dear [laughs]. I’m always waiting for the phone to ring after episodes air. Usually it’s my best friend and I’ll hear, “Ooooh. Myyyyyy. Goooood.” I live for that. It’s been delightful. Seriously, you don’t always feel that way when you open scripts, and I must say every single script I’ve opened for this series so far has just really thrilled me.

This season has a ton of big-name veteran actresses. What does Ryan get about writing for older women that others don’t?

I don’t know, man. He somehow understands how to write for us, and not every guy does, especially for older women. You either got it or you don’t. Either you understand who they are or you don’t. Either you’ve got their voices or you don’t. Even with Franny’s character Myrtle [Frances Conroy], who I just adore, he’s nailed it.

She looks amazing. Were you on set when she filmed the scenes with the Council? 

No. I wish I had been, oh my God. I heard from my friend, who is one of the producers on the show, everyone who was there was gathered around the monitors watching. They said it was fucking awesome. I worked with Franny on Six Feet Under so I really hope I get to work with her.

Are you a fan of horror in general?
 
Yeah, I love horror. I just watched The Conjuring, which scared the bejesus out of me. One of my favorite films is Psycho, which I saw when I was 12. I kind of grew up on horror.

What have you found most scary about this season?
 
Well, after I watched episode three last week I was pretty disturbed. I thought Patti LuPone ... I’m sorry, but I’ve never seen a Bible thumper played like that. She’s so real, and so sympathetic, and so honest. She didn’t come off as some wacko, you know? And Mare Winningham, oh God.

Have you seen the GIFs of you hissing "Liiiiies"?
 
Yes! And you know what? My niece, who works with me, I invited her to the premiere. Let’s just say she’s more like Patti LuPone’s character.

Wait, what?
 
She is, but I don’t laugh at that. She doesn’t like the occult. But she came to the premiere and she thought my performance was good but decided she didn’t want to watch any more of the season because she had nightmares. But yesterday, I was FaceTiming with her, and I told her to YouTube that scene, and she loved it. I mean, it was hysterical. I have to say, the director Alfonso Gomez-Rejon really helped me with that. Sometimes I can be just way over the top. He keeps me on the straight and narrow so it’s not too crazy. I’ll just go off if they don’t rein me back.

Jessica Lange requested a scene in which she'd get to sing and dance last season. Have you made any special requests?
 
No, no I haven’t done anything like that. I’m just so grateful to be in the damn show. Well, I guess the only request I made was when was I lobbying for a French accent. Delphine was French. Ryan just looked at me and went, “No. French. Accent.” I thought it would be fun! But he had a larger view of the landscape and wisely held me in on that one.

How much did he tell you about what would happen to her?

I thought he told me a lot, but to be honest, I never dreamed of the whole slave thing, of her becoming Queenie’s slave. I never dreamed of that relationship growing into what it’s become. Gabby and I just finished one scene that I can’t tell you anything about but that relationship does continue to blossom. I do remember also when Ryan was pitching me that Delphine was immortal and awakened in the present day, my mind was reeling. I said, “Oh my God. Obama is in the White House. That’s going to flip her out!” I don’t know if that’s an idea he had as well, but I said that’s gotta be in there. I guess I did ask for that [laughs].

And now it’s everyone’s favorite meme.
 
It was pretty brilliant.

Where does Delphine figure into this war between the Salem witches and the voodoo witches?
 
I don’t know! See, that’s what I’m trying to figure out. I don’t know what Delphine’s lifespan on the show is but I keep being told she’s immortal and not to worry. But I don’t know how she would figure in that war! I’m also trying to figure out what the heck Fiona would get from her in terms of her immortality. What can Fiona accomplish with her? I mean, that’s why she dug her up, but how can she get what Delphine’s got? Why does she need her?

It sounds like you’re having more fun on this show than you did on NBC. [Bates said earlier this year that the network treated the Harry's Law team "like shit."]
 
I’m very happy. There was a wonderful open letter on Deadline.com the other day, and what was cool about it was it was the last day I got to speak to my manager, who passed away a few weeks ago. Her assistant read her that letter, and she just smiled a really big smile. It was nice. The timing couldn’t have been better.

Needless to say, you’re down to do another season of American Horror Story
 
Absolutely. I’d love to do another season with them.

Jessica said she only wants to do one more.
 
Well, we’ll see. You know she doesn’t watch the show. I wish she did. Maybe I can trick her into watching one, especially the one that aired last week. I thought the whole ending with Madison was absolutely phenomenally played. Jessica looks incredible, and she’s just knocking it out of the park. I’m going to have to find a way to get her to watch with me.

Kathy Bates American actress

Kathy Bates, in full Kathleen Doyle Bates   (born June 28, 1948Memphis, Tennessee, U.S.), American actress of stage, screen, and television, especially known for her portrayals of strong women who act against the social milieu. She won an Academy Award for best actress for her chilling performance of an obsessed fan in Misery (1990).

Bates was raised in Memphis and later studied theatre at Methodist University in Dallas (B.F.A., 1969). In 1970 she moved to New York City, where she worked odd jobs while pursuing an acting career. She landed minor stage roles and in 1971 appeared in Taking Off, the first American film of Czech-born director Miloš Forman. Her first Off-Broadway role was Joanne in Vanities (1976), which helped her secure a role in the film Straight Time (1978). Bates appeared in numerous theatre and film productions during the late 1970s and the ’80s, including the successful plays Crimes of the Heart (1979); ’Night, Mother (1983), for which she received a Tony Award nomination; and Frankie and Johnny in the Clair de Lune (1988).

In 1990 Bates established herself as a powerful screen presence in the film adaptation of Stephen King’s Misery. She played Annie Wilkes, a psychotic fan who rescues a best-selling novelist (played by James Caan) after a car accident but turns on him when she finds that he has killed her favourite character in his latest novel. In addition to an Academy Award, she also won a Golden Globe for her performance. Throughout the 1990s Bates showed her versatility in a number of films, playing a forlorn Southern housewife in Fried Green Tomatoes (1991), a maid accused of murdering her employer in Dolores Claiborne (1995; adapted from a novel by King), and an outspoken socialite in Titanic (1997). She received critical acclaim and an Oscar nomination for her role as Libby Holden, an idealistic political operative, in Primary Colors (1998).

Bates later acted in such films as About Schmidt (2002), for which she received another Academy Award nomination; Failure to Launch (2006); and The Day the Earth Stood Still (2008), a remake of the 1951 classic. In 2008 Bates took a supporting role in Revolutionary Road, portraying a real estate agent in 1950s suburbia. She subsequently appeared in the sports drama The Blind Side (2009); the romantic comedies Valentine’s Day (2010) and A Little Bit of Heaven (2011); Woody Allen’s fantasy Midnight in Paris, in which she portrayed the writer Gertrude Stein; and the slapstick comedy Tammy (2014). In addition, Bates’s voice was featured in a number of films, including the animated adaptation of E.B. White’s classic story Charlotte’s Web (2006), Bee Movie (2007), and The Golden Compass (2007).

Bates also worked in television. Her credits as a TV director include the movie Dash and Lilly (1999), about the writers Dashiell Hammett and Lillian Hellman, and episodes of the HBO drama Six Feet Under (2001–05), in which she also acted. In 2010–11 Bates had a recurring role on the sitcom The Office, and in 2011–12 she starred in the TV drama Harry’s Law. In 2013 she joined American Horror Story for its third season (Coven), portraying the real-life Madame Delphine LaLaurie, a socialite who tortured and killed slaves in antebellum New Orleans. The role earned her an Emmy Award for outstanding supporting actress in a miniseries or movie. In 2014 she returned as a bearded woman for the fourth season (Freak Show).

Ovarian Cancer Health Center

Q&A with Kathy Bates

The veteran actress, who is in three movies and two TV series this year, talks about what she learned from surviving ovarian cancer.
 
By Linda Formichelli
WebMD Magazine - Feature
Reviewed by Louise Chang, MD
A popular actress on stage and screen, Kathy Bates has played everything from an unhappy wife (Fried Green Tomatoes) to a literary fan gone psychopathic (Misery), a free spirit mother of an adult son (About Schmidt), a wisecracking political advisor (Primary Colors), and Gertrude Stein (Midnight in Paris). She has appeared in numerous TV shows and series, including Six Feet Under, The Late Shift, and Annie. She sat down with WebMD the Magazine to talk about her experience with ovarian cancer, her health habits, her favorite healthy snack, and just what piece of advice she'd like to give other women.

In your video interview for the Ovarian Cancer National Alliance, you said that going through the experience of fighting ovarian cancer was the best thing that ever happened to you. Why is that?
 
It helped me see that I'm lucky, and I feel grateful to have the opportunity to continue working, to have relationships with friends, to travel, to have a good relationship with my family. All the things that we begin to take for granted in our daily lives.

You advocate listening to your body and heading to the doctor if anything strikes you as wrong. Before the cancer, did you tend to ignore what your own body was telling you?
 
You get to the point where you don't want to go to the doctor. You tell yourself you don't want any bad news. [In 2003] I was in Europe and a friend said, "You know, you don't look well." I was very flushed and very tired and I kept thinking it was the heat. Finally I decided I was not feeling right and I went back home and saw the gynecologist.

'American Horror Story: Hotel' trailer scares up images of Lady Gaga, Kathy Bates, Sarah Paulson ...

american horror story hotel trailer lady gaga kathy bates sarah paulson 13579086
Get ready to step foot inside the scariest hotel in television history by watching FX's trailer for
"American Horror Story: Hotel," set to premiere October 7. The spooky preview reveals first images of many of the show's creepy characters, including those played by Lady Gaga, Kathy Bates and Sarah Paulson. Watch the new trailer below.



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In addition to that trio of headliners, the fifth installment of FX's scarily popular anthology series features new and returning faces like Angela Bassett, Wes Bentley, Matt Bomer, Chloe Sevigny, Denis O'Hare, Cheyenne Jackson, Evan Peters and Finn Wittrock. Co-creator Ryan Murphy once again returns as showrunner.

Despite the departure of Jessica Lange, "AHS: Hotel" should continue to dominate the ratings for FX thanks to the notable addition of Lady Gaga and the show's creepy hotel theme. But will it also be a hit with the Emmys next year? As a refresher, the first four seasons racked up an incredible 70 nominations with eight victories in the movie/miniseries categories.

Here's a list of the franchise's eight Emmy wins so far:
"American Horror Story: Murder House"
Best Supporting Actress (Lange)
Best Hairstyling
"American Horror Story: Asylum"
Best Supporting Actor (James Cromwell)
Best Sound Editing
"American Horror Story: Coven"
Best Actress (Lange)
Best Supporting Actress (Bates)
Best Costumes
Best Hairstyling
"American Horror Story: Freak Show"
*Creative Arts Emmys will be announced September 12
*Primetime Emmys will be announced September 20


Make your own Emmys picks now to the right or at the bottom of this post. You could win one of our three prizes ($500, $300 and $200 Amazon gift certificates) as well as a place of honor on our leaderboard and a starring role in next year's Top 24 Users (the two dozen folks who do the best predicting this year's Emmys line-up).

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American Horror Story: Hotel's Latest Casualty Had a "Blast" Getting Killed By Kathy Bates

Darren Criss tangled with Kathy Bates on American Horror Story: Hotel and lived to tell the tale. Well, he lived to tell the tale, but not his character. E! News caught up with the Glee veteran at the SAG Foundation's 30th Anniversary celebration (where he was also performing) and discussed all things AHS.

"It was a blast. I think when you watch stuff like that, you go, 'This must be terrifying to shoot,' but it's the complete opposite when you're in that room," he told E! News.

Thanks to the crew guys, craft services and the general set atmosphere, Criss escaped unscathed, mentally.

"It's kind of fun," he said. "You get to do things that you would never do in real life—hopefully! I'm really hoping and praying nobody is going out stabbing anybody. That's awful, that's horrible. Don't do that! But when it's somebody like Kathy Bates—I don't have to explain why she's so amazing—doing this kind of stuff with you, it's a blast."

It's true. There really is no explanation needed about Kathy Bates' awesomeness. And now he joins a long line of people who have been in violent scenes with the Oscar winner. Huzzah!

Criss' character, Justin, a hipster "tastemaker," royally annoyed the now vampire-ish Iris (Bates). His requests really put her on edge and with the urging of Liz Taylor (Denis O'Hare), Iris kills Justin and his girlfriend, but not before feeding them cat food. Yum.

Click play on the video above for more from Criss about earning his SAG card and going toe-to-toe with the American Horror Story: Hotel star.
 
 
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